So many potential mistakes that costs time… . These first three articles discuss the importance of attending writers’ conferences and how to best utilize them and save time. This third article reveals two other very common mistakes to avoid in order to save even more time. Of course, I made these mistakes as well… .
Learning the Craft of Fiction Writing
I studied and worked hard at learning my new craft of fiction writing. How-to books filled my shelves, and yes, I not only read them, but I studied them. There were books on
character development,
plots,
showing not telling,
to name just a few, along with workbooks where you can practice — and practice I did. Finally, I finished the first draft and applied for one of the few select spots in a fiction clinic with a great publisher and editor, Jeff Gerke.
The Fiction Clinic
This book was my baby. I spent countless hours creating a strong heroine in a field that fascinated me – journalism. That’s right, I was fascinated with journalists who covered exciting, dangerous events so I made my heroine a journalist.
Jeff asked me a simple question that changed the course of my book, Hidden Bloodlines, (and my series — The J.C. Classified Series). “Why isn’t your heroine a lawyer?” He sagely pointed out that it’s better to write what you know. As a lawyer myself, I’ve lived the life, and if my character lived what I know, she would feel “real” to the reader and have a greater impact. You want your readers to fall in love with your characters.
Jeff then asked me to tell him the entire story in a nutshell. Most writers like to tell their story and I held nothing back. My story was too complicated — there were actually two books within one and they needed to be separated. I was back to the drawing board with a heroine who was now a lawyer and a plot that needed to be simplified.
The Plotter vs. Pantser
If I were a “plotter,” a writer who creates detailed outlines prior to starting, at least the overly complicated story may have been identified prior to writing the entire manuscript. However, I am a “seat of the pants” writer where this risk is higher. I’ve attended conferences where the recommendation is to blend the two. That may work with some, but not all, and certainly not me. That’s part of the excitement for me to write — the developing story and the twists and turns of events.
How about you? Are you a “plotter,” “pantser,” or a blend of both?
In my first article, Save Thyme and Avoid Common Mistakes, I discussed the importance of attending writers’ conferences and a common newbie mistake — pitching a book that was not written. This next article will focus on the beginning — the beginning of your book, your writing career, and essential tools of the trade.
If you don’t take into consideration the two years my story brewed in my mind, this first writers conference was my beginning. If you can get into a clinic at a writers’ conference, I highly recommend it. It’s intense, and you get one-on-one assistance with an experienced writer, agent, editor… . This input is invaluable.
Because your application for a clinic typically includes the first 15 pages, you want to make sure those 15 pages are the absolute best they can be. Write, rewrite, and write again. Have others read it and see if you have a writer friend who can also give you input (more on writers’ groups and critique groups later). When you think it’s there, set it aside for as long as possible (I prefer a week) so that you see it with fresh eyes, and read it out loud. It’s amazing what your ears catch that your eyes miss.
Although my manuscript was not written, I did write the first 15 pages to apply to a beginners fiction clinic that was team taught by two well-known authors. The beginning is always critical to capture your audience, whether it’s an agent, publisher or your reader. I realized during this particular clinic that I was chosen not because of my story (the first 15 pages did not reveal much), but because of the mistakes I made in the beginning. Nothing I had grabbed my reader — not the title nor the first sentence, first paragraph, or first page. Nada.
This first clinic got my act together. At the start of this clinic, we went around the room reading our first sentences. The rule — NEVER begin a book with the weather. Most of us did. Think about how you choose a book, whether it’s your next library choice or book to buy.
Most people:
Check the title. Does it sound interesting?
Read the back cover copy. Still interested?
Open the book to the first page and read the first sentence. Still interested?
Read the first paragraph, and maybe even the first page. Getting it?
Writers’ Tools
This first conference also gave me a glimpse into what type of tools of the trade would make my life easier. Instead of sharing what I learned here, I recommend a more comprehensive source that’s tried and true — The Author Toolbox by Candee Fick.
The Title
I needed a catchy and unique title. First, I brainstormed a list of 10 titles. Next, I did the research necessary to assure none of those titles were already taken in previously published works. I created survey sheets and waited outside each service at my church one weekend and asked people to choose and rank their top 3 titles. An overwhelming majority chose Hidden Bloodlines as their top choice.
I threw out my first chapter and started over. My first sentence went from the weather to: “Victoria prosecuted the wrong man.”
So many mistakes … so much time wasted. Save Thyme and Avoid Common Mistakes is the first in the Common Mistakes Series geared to help you save precious time getting that book published. I have first hand experience on making most if not all of them. With this new year upon us, my goal is to share my journey to make yours smoother and easier with quicker positive results.
The Story
As I mentioned in my article, Never Give Up!, I am a writer by profession. Although I have more than 100 published articles (most of which were ghost written), my heart’s desire was in the story. I yearned to write that novel and see it published. Even though I was an experienced writer, I quickly learned that fiction writing was a totally different “animal” and I set out to garner the necessary skills.
Hidden Bloodlines started as a story triggered by a stay at the Stanley Hotel in Estes Park, Colorado. After this story brewed in my mind for two years, I decided that the time was now and I attended my first writers conference.
A Conference Mistake
I successfully pitched my story to agents and publishers during that first conference, but made my first mistake as an conference newbie — I pitched a story that wasn’t written. It was in my head, but not on paper. Every single one of the editors and agents I pitched to, wanted to see a manuscript that did not exist. By the time I wrote it, revised it (I can’t remember how many times) and had it ready, 5 years had passed. Oops — a little late for that group of agents and editors who were either with different publishing houses or made career changes.
During those 5 years I worked on learning the craft and developing my skills as a fiction writer — essential if you want to be taken seriously and get published. I highly recommend attending writers conferences even if that story is not written. There are workshops and sessions geared toward honing your skills. Appointments are usually available with not just editors and agents, but writers, and other writing professionals. If you want to pitch a story idea, let the agents and editors know that it’s not written yet, then get on the horn and write it. They may be interested now, but not a year from now.
Welcome Kathryn Ross to Thyme for Writers. Peppermint Bits — Words Spun, Broken and Sweet is Kathryn’s third in the The Write Spice: Writing Tips for Flavorful Words series! What better way to bring in the Christmas season than with Kathryn’s words of wisdom…
Like a good book, the sense of smell possesses the power to whisk a person into another time and place.
Memories
Memory connects a life experience stored in the brain to our senses, ready to unleash it upon our being should we come in contact with that particular sense trigger again. We flood with remembrance as nostalgia works a spa-like treatment upon our hearts—if the memories are sweet.
Christmas may come but once a year, yet when I smell pine and peppermint in July, I have a momentary urge to string lights and plug A Charlie Brown Christmas into the DVD player while consuming sweetness in a cup of hot chocolate stirred with the red and white swirl of a fragrant peppermint candy cane.
But, what if the scents that stir us connect to less than sweet memories? Brokenness. Heart sick moments in our lives we’d rather not return to even in the fleeting imagery of the mind. Sometimes, we don’t want our memories stirred. We don’t want to return to painful moments.
As writers, our words act like the power of scent whisking us to another time and place—both broken and sweet. We stir within our readers either a curse or a blessing. How we balance the ingredients of the words we write and the messages we convey by knowing and targeting a specific audience, determines the value our work is to those we hope to influence.
Powerful vehicles, our senses. Much like trigger words in a story. Swirled together like the red and white of a candy cane, they become effective communication tools for the writer and speaker, spun wisely.
The Blessing Comes through the Broken
In the late 1800s, America was growing with European immigrants from many diverse Western cultures. Christmas was a holiday marked by all, though celebrations differed. One thing many did hold in common from the Old World was to see the pig as a symbol of good health and prosperity—something all families hoped for as the new year approached. A candy maker in Saratoga Springs, New York created a unique trinket, to bolster his sales, built on this commonality. He mixed sugar and peppermint into a bright pink concoction and poured it into small molds of a pig. Then, cleverly, he packaged it with a cloth bag, a little metal hammer, and directions for instituting a new family Christmas tradition. After the meal on Christmas day, the pig was placed into the cloth bag and hammered to broken bits. Emptying the bag onto the table, chucks of fragrant peppermint candy poured out—enough for everyone to eat and enjoy,making memories bathed in the scent of peppermint and a wish for good health and prosperity in the new year. Only in brokenness came the blessing.
The Sweetness Comes through Consumption
The scent of peppermint has long been connected to Christmas celebrations. As far back as the 1670s in Germany, folkore tells us about the choirmaster petitioning a candy maker to come up with a sugar stick to keep noisy children silent in the solemn part of their worship service. The clever candy maker designed the peppermint flavored candy cane we still use today in the shape of a shepherd’s crook. He swirled the sugar mixture with red and white colors in remembrance of the blood of Jesus shed to make us all whiter than snow. Story spun with tangible stimulants for the senses spoke directly to the youthful audience it was meant to still, as they consumed the sweet. Sticky and forever connected to Christmas, we consume tons of peppermint candy cane confections each year. Only in consumption comes the sweet.
As a writer, I compose my most effective words from a place of brokenness because of the bitter, and the consumption of a sweet remedy discovered. Memories I prefer to tuck away must be stirred to the surface to remember well the sour moments in time, so I might write the way to find the sweet blessing there. For me. For my readers.
Scent, like words, heal. Medicinally, peppermint oil is used to invigorate the mind and senses. It tingles the skin with coolness, aids digestion, comforts stomach upset, and washes over one with an inspiring a sense of peace.
Do the words you write and speak do the same? Are they flavored to draw to the surface bitter things and so heal with the sweet? How can you add a dose of peppermint to your work and minister peace to your readers?
Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Productions and Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. Her passion is to equip women and families in developing a Family Literacy Lifestyle, producing readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.
Writer, speaker, teacher, and enrichment artist, Kathryn Ross, sweeps readers into the story-worlds of Jane Austen, C. S. Lewis, Hannah Hurnard, Marguerite de Angeli, John Bunyan, and others, exploring powerful truths to fulfilling God’s plan for your life in her latest publication, The Gatekeeper’s Key. Discern your place and season, with encouragement to see purpose in boundaries, find comfort in trials, and gain fortitude in going forth. Short story, personal testimony, excerpts from classic literature, visual imagery, challenge questions for discussion, and journal prompts for writing assignments draw you before the Gatekeeper. It’s quite a journey—but you’re never alone. Always in His Presence, with an Invitation, a Gatekeeper, and a Key. Perhaps more than one. Purchase on Amazon or direct from Pageant Wagon Publishing.
In Thyme for Writers, The Clove Principle: Puncture Your Writing with Warmth is the second in the The Write Spice: Writing Tips for Flavorful Words series by Kathryn Ross.
Thanksgiving
The pantry, fragrant in Thanksgiving spices, overflows with all the ingredients for holiday baking. Not the least of which are the cloves necessary for flavor-filled pumpkin pie, succulent hams, and first aid should the need arise.
In fact, with diets thrown out the window in the season of family feasts and horn-o-plenty holiday entertaining, a bit of clove oil on hand, rubbed on the tummy, aids digestion and stomach upset when over-eating overtakes the merry-maker at the dinner table.
The chill in the air outside impels us to seek warm things, and clove is the spice to warm traditional dishes this time of year, as well as symbolically impart the inviting fervor of affection in gift-giving.
Victorian Times
In Victorian times, the simplicity of homemade gifts from the kitchen or treasures crafted by hand found a warm welcome. Popular gifts were aromatic pomanders made of tiny, stick-like, brown floral cloves inserted into an orange, like beads studded on a ball ornament for a tree. They, too, hung by a ribbon or nestled in a bowl, releasing the citrus scent of the fruit, mingled with the clove’s own pungent passion. A room enhanced by such fragrance stimulated the human senses, mind, and heart, inviting intimacy.
Puncture your writing with clove to inject warmth and the fragrance of human emotion into your descriptive writing.
When I write my first drafts, I’m more concerned with laying out the meat and potatoes of the work without garnished language. Facts must be represented accurately if I’m writing non-fiction; the scene must be played out if I’m writing fiction. Technical language in early drafts, though properly in place, often lack the visceral quality necessary to arrest the senses of the reader and inflame heart and mind with the story material. The select insertion of spicy words help draw out the full flavor of a manuscript.
Use the thesaurus tool in your writing program to locate quality words:
Keep the thesaurus window open throughout a writing project to have ready access.
Find descriptive words that connect to one or more of the five senses (sight, sound, smell, taste, touch) to engage gut responses from your reader.
Don’t overuse words—one evocative and intimate descriptor can do the job more efficiently than a handful of mediocre modifiers.
Clove adds stimulating, warm flavors to the traditional Thanksgiving menu fare, as it aids digestion when eating generous portions. Help your reader better digest your inviting words by applying The Clove Principle to your manuscripts.
Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Productions and Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. Her passion is to equip women and families in developing a Family Literacy Lifestyle, producing readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.
Writer, speaker, teacher, and enrichment artist, Kathryn Ross, sweeps readers into the story-worlds of Jane Austen, C. S. Lewis, Hannah Hurnard, Marguerite de Angeli, John Bunyan, and others, exploring powerful truths to fulfilling God’s plan for your life in her latest publication, The Gatekeeper’s Key. Discern your place and season, with encouragement to see purpose in boundaries, find comfort in trials, and gain fortitude in going forth. Short story, personal testimony, excerpts from classic literature, visual imagery, challenge questions for discussion, and journal prompts for writing assignments draw you before the Gatekeeper. It’s quite a journey—but you’re never alone. Always in His Presence, with an Invitation, a Gatekeeper, and a Key. Perhaps more than one. Purchase on Amazon or direct from Pageant Wagon Publishing.
Donna Wichelman is our guest today on Thyme for Writers. Donna holds a master’s degree in Mass Communication/Journalism and worked in community and employee relations for ten years. She has authored short stories, essays and articles in various inspirational publications. She now writes novels and screenplays. She and her husband live in Fort Collins, Colorado.
Beyond the Fuzzy Orbs
By Donna Wichelman
Before LASIK surgery at age forty, severe nearsightedness distorted my vision without corrective lenses. At Christmas, I saw an advantage to this condition when the tree went up with its strings of colorful bulbs. Without vision aids at night, the lights on the tree appeared as hazy orbs, blending together in a dazzling display of color. I could sit for long stretches of time mesmerized by the beauty.
Yet my distorted vision kept me from viewing more extraordinary things on and around the tree. With my glasses, I could see the ornaments friends and family had given us, reminding me of dear ones who’d touched my life. Some ornaments had been collected from travels my husband and I had done over the years, invoking sweet memories. The Christ child in the manager under the tree centered my focus on the truth of Christmas and the purpose for which we gathered around the tree. Letting go of my distorted vision and putting on my lenses showed me the beauty, wonder, and joy beyond the fuzzy orbs.
The first time an editor solicited a manuscript I had pitched, my heart soared. When the manuscript went to committee, I knew it would be accepted and become a best seller. Months later, I received a rejection letter in the mail with constructive notes and the acquisitions editor’s good wishes. I felt crushed. My mother fell ill with cancer soon after, and I never implemented the changes.
The first rejection letter was not my last. Over twenty years of writing, I’ve sold several personal essays, a couple of short stories and a handful of devotionals. Two years ago, I self-published my Christian romantic suspense, Light Out of Darkness, and I will have the sequel out next spring. In spite of modest success, I’ve also experienced much rejection and have even thought about giving up this seemingly hopeless cause.
Yet a writer’s journey is a little like finding the wonder and joy beyond the distorted vision of my hazy orbs. It took a while, but eventually I was grateful for that first rejection. I realized the onus was on me to keep honing my craft, never to be complacent about my work, to accept constructive criticism and throw out the chaff.
I also learned that rejection doesn’t mean I’m unworthy. My value as a person isn’t dependent upon whether my work gets accepted. I am much more than my writing. As a person of faith, my worth comes from my position as a child of God.
Ultimately, I’ve grown to understand that my purpose for writing isn’t about the glory, notoriety or money. I write, because God has laid it on my heart to bring people along with me on this journey of joy, wonder and discovery. If I’ve touched one heart, if one morsel of truth gets passed along, if one person was encouraged, then I’ve done my job. My hope is that you, also, will find the beauty beyond the fuzzy orbs.
You may contact Donna or purchase her books with the links that follow:
I would like to introduce Kathryn Ross as my next guest on Thyme for Writers. Kathryn will be a monthly guest with her series, The Write Spice: Writing Tips for Flavorful Words. Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Productions and Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. Her passion is to equip women and families in developing a Family Literacy Lifestyle, producing readers and thinkers who can engage the world from a biblical worldview.
When Cinnamon Bark Editors Bite
By Kathryn Ross
Crisp fall weather invites us to visit pumpkin patches and apple orchards, filling baskets with the raw ingredients for our favorite Autumn treats. The scent of applesauce and pumpkin pie fill our kitchens and warm our hearts with lip-smacking expectation for when dessert will be served. The intoxicating aroma of ground cinnamon bark wafts through the air while these traditional goodies simmer in a pot and bake in the oven.
Cinnamon
Cinnamon is an indispensable spice for fall recipes and has been a vital ingredient in healing remedies from ancient times. Historical records from China include cinnamon in every prescription used to treat a host of infectious ailments. In addition, cinnamon acts as a stimulant to enliven a weak heart, lift depression, settle digestive issues, and as a tonic for treating the common cold.
Add a little cinnamon bark to your writing with the healing nature of an editor’s bite.
The Story
When we pour the raw materials of our story onto the page and stir it about, carefully adding the varied ingredients of our setting, character, plot, and literary elements, we need to taste-test with the help of a skilled editor. If you are seeking to publish, budget enough funding to pay a professional editor. Investing in a skilled editor prior to submitting to a publisher ensures your best work is put forth. Along the way, engage your writers critique group in the creative process.
The Editor
But, be aware—an editor may flavor your work with a pungent bite, just like cinnamon pervades whatever you add it to a with sharp zest.
You may wince at an editor’s advice when they red-line some of your pet paragraphs or favorite turn of phrases.
You may need to swallow the burn of raw cinnamon with a cool glass of water when the edit requires major plot shifts you had not anticipated.
You may grow weary of the tedious corrections of punctuation, point-of-view, and tense errors.
In the end, the sharp bite of an editor’s critique heals what ails your manuscript. You’ll have a healthy story ready for submission and be the better for it. Just as applesauce and pumpkin pie don’t satisfy without a generous addition of ground cinnamon bark, so too, your writing won’t be the best it can be without the generous critique of a good editor—the “write” spice for flavorful words.
Have you had a “spicy cinnamon” moment with an editor that made you wince at the sharp bite of their critique, only to ultimately swallow their advice and realize it was the best thing you could have done for your manuscript? Share what you learned from your experience.